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Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups.
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Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid drummers Max Roach, Ronald Shannon Jackson, and Akira Tana guitarist Emily Remler pianists Tommy Flanagan and Barry Harris saxophonists Lou Donaldson, Lee Konitz, and James Moody trombonist Curtis Fuller trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney vocalists Carmen Lundy and Vea Williams and others. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea.
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A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise.
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